Popular song with Chinese influences, composed by Jean Schwartz with lyrics by William Jerome. Problems playing this file? See media help. Originally titled "Bill Bailey, Won't You Please Come Home?", the song is also known as "Won't You Come Home Bill Bailey". Its popularity inspired a host of "Bill Bailey" songs, including Cannon's own "He Done Me Wrong", which used a variation of the melody from " Frankie and Johnny". The song was introduced by Queen in vaudeville and first recorded by Arthur Collins in 1902. It continued the story of an earlier coon song, "Ain't Dat a Shame" by Walter Wilson and John Queen. King Oliver's Jazz Band popularized the tune in 1923, and other influential recordings were made by Abe Lyman and His Orchestra in 1932 and by Jelly Roll Morton's New Orleans Jazzmen in 1939. The complex countermelody was often used in auditions for brass band clarinet players. A counterpoint to the melody was arranged by Robert Recker for the piccolo in 1901 and made famous by clarinetist Alphonse Picou. Originally written as a march and published as a rag, the song soon became one of the most popular tunes of the early New Orleans jazz repertoire. It is requested notoriously often in performances of Dixieland bands, and sometimes requests for it even have a higher price than normal requests. The song was popularized in 1938 by Louis Armstrong, who recorded it more than 40 times during his career. Traditional gospel hymn possibly originating in nineteenth-century New Orleans as a funeral march. Other jazz-oriented versions include a 1941 recording by Artie Shaw and His Orchestra, with Hot Lips Page providing vocals. Louis Armstrong made the song famous in his 1928 recording on which Don Redman was credited as composer later releases gave the name Joe Primrose, a pseudonym of Irving Mills. James Infirmary Blues" is an American blues song and jazz standard of uncertain origin. Handy published his version with modified lyrics titled "Loveless Love". Traditional song of unknown origin, copyrighted by W. Louis Blues" (1914) and " Beale Street Blues" (1916) have become popular jazz standards. His compositions " The Memphis Blues" (1912), " St. Handy was the first to transcribe and publish blues songs. ![]() Louis Blues", Turner Layton and Henry Creamer's "After You've Gone" and James Hanley and Ballard MacDonald's "Indiana". The most often recorded standards of this period are W. Others, such as " Some of These Days" and "Darktown Strutters' Ball", were introduced by vaudeville performers. Tin Pan Alley songwriters contributed several songs to the jazz standard repertoire, including "Indiana" and " After You've Gone". ![]() Ragtime songs " Twelfth Street Rag" and " Tiger Rag" have become popular numbers for jazz artists, as have blues tunes " St. The origins of jazz are in the musical traditions of early twentieth-century New Orleans, including brass band music, the blues, ragtime and spirituals, and some of the most popular early standards come from these influences. Originally simply called "jazz", the music of early jazz bands is today often referred to as " Dixieland" or "New Orleans jazz", to distinguish it from more recent subgenres. Certain songs were pushed by recording executives and therefore quickly achieved standard status this started with the first jazz recordings in 1917, when the Original Dixieland Jass Band recorded " Darktown Strutters' Ball" and " Indiana". This influenced the choice of material played by early jazz groups: King Oliver's Creole Jazz Band, New Orleans Rhythm Kings and others included many Tin Pan Alley popular songs in their repertoire, and record companies often used their power to dictate which songs were to be recorded by their artists. The time of the most influential recordings of a song, where appropriate, is indicated on the list.įrom its conception at the change of the twentieth century, jazz was music intended for dancing. Some of the tunes listed were instant hits and quickly became well-known standards, while others were popularized later. This list includes compositions written before 1920 that are considered standards by at least one major fake book publication or reference work. Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire.
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